Thursday, January 21, 2016

My Top 20 Albums of 2015

One more list to add to the pile of year-end reviews you will ignore....

My Top 20 Albums of 2015

20. Metric - "Pagans in Vegas"



19. U2 - "Songs of Innocence"



18. Foals - "What Went Down"



17. Baroness - "Purple"



16. Mikal Cronin - "MCIII"



15. New Order - "Music Complete"




14. Deerhunter - "Fading Frontier"



13. Kurt Vile - "b'lieve i'm goin' down"



12. "Destroyer - "Poison Season"



11. Ryan Adams - "1989"



10. Titus Andronicus - "The Most Lamentable Tragedy"




9. Sleater-Kinney - "No Cities to Love"



8. HEALTH - "Death Magic"



7. Tame Impala - "Currents"



6. Viet Cong - "Viet Cong"



5. Chvrches - "Every Open Eye"




4. Kendrick Lamar - "To Pimp a Butterfly"



3. Kamasi Washington - "The Epic"



2. Sufjan Stevens - "Carrie & Lowell"



1. Deafheaven - "New Bermuda"


Sunday, January 10, 2016

Random Records - 2. Big Star - "Radio City"


Big Star – Radio City
1974
Ardent Records
(acquired at Silver Platter's in Northgate)
Best Song - "September Gurls"

In our collective brief window of existence, we all look for some kind of meaning. Some find it in work, others in family. I teach writing because I believe that some of us want to shout into the universe and have that shout echo throughout time. Though that echo may be short lived, and though it may diminish with distance, writing is a permanent expression of humanity, a form of communication that can carry one’s thoughts, perceptions, realizations, epiphanies, and opinions to those who may not otherwise get to speak to you in person. Our writing outlives us. Our art speaks volumes. We hope that somewhere down the line, someone will stumble across something we have made and make a connection with it. And through that connection, that author or artist becomes alive again. In a way, writing helps us live forever.

This may seem grandiose as an introduction to short essay on a rock record, but if you’ve heard Big Star, you know that it is entirely apt. Though not appreciated nearly as much as they should have been when they were a viable band in its first incarnation, Big Star has proven that quality, beauty, and humanity endures. Radio City is the band’s second album. After the critically acclaimed, yet commercially ignored debut #1 Record, the quartet of Chris Bell, Alex Chilton, Jody Stephens, and Andy Hummel became a trio with the departure of Bell, though he still contributed writing to two of the albums big tracks, “O My Soul” and “Back of a Car.” The loss of Bell does make for a different band from that debut, but the resulting set of twelve songs led by Chilton ended up rivaling and, in some circles, besting its predecessor.

While the band was critical darlings, poor distribution, radio play, and promotion made the name of the band, and its debut, a bitter irony. Though they named themselves after the grocery store across the street from the Ardent Recording Studios, one could easily think that they were making some kind of narcissistic prediction, that they were destined for greatness. They were, but unfortunately not during that particular time. And this is the lesson for those who are struggling with finding their places in the universe. Big Star eventually got their due, though it took about twenty years, some key figures who revered the band, and the idea that brilliance cannot stay hidden forever. There will always be treasure hunters, champions of the unsung, and purveyors and proselytizers of the sublime.

Much has been made of the band’s love for The Beatles and other British Invasion bands. One can hear the influence to some degree, as well as the laid back west coast style of the Byrds, but Big Star carved out more of a niche for themselves in a guitar driven, heartache suffering, power pop that launched a thousand bands in its wake. From the rocking opener “O My Soul” to the bitter “You Get What You Deserve,” the earnest “September Gurls,” and finally the innocently touching “I’m In Love With a Girl,” Radio City charms with its brutal honesty and gorgeously organic compositions. It is at once a record of discrepancies and consistency.


Like many, I came to the band late. I was three years old when the album was first released, and because of the label’s problems, I had no real chance of discovering them until much later during their resurgence. Thankfully, the band eventually got its due. They shouted into the universe and luckily, though distant in time and space, something shouted back. Eventually, Chilton, Hummel, and Stephens got to see the ripples of influence created by their work, reuniting because of the fan fervor. Though still not uttered in the same breath as some of the most popular bands in the world, Big Star, through its first three original albums, have been cultivating more and more followers. I cannot remember the first time I heard Big Star. It was likely through a cover, possibly the Bangles’ “September Gurls” or perhaps through the song “Alex Chilton” by the Replacements. Regardless, Big Star is the type of band that is like a great novel that you never had to read for school. You may have missed out at one time, but it is always there waiting for you when you finally get around to it, and it never disappoints.


This is the second in a series of reflections. I am having Excel select an album at random from my collection, and I will then write about that album. Sometimes it will be a lengthy essay. Other times the writing will be constituted of only a few short thoughts. Other albums will solicit a personal story or two. In other words, these entries will be random in every sense of the word.

Friday, January 1, 2016

Random Records - 1. U2- "The Joshua Tree"



This is the first in a series of reflections. I am having Excel select an album at random from my collection, and I will then write about that album. Sometimes it will be a lengthy essay. Other times the writing will be constituted of only a few short thoughts. Other albums will solicit a personal story or two. In other words, these entries will be random in every sense of the word.



1. U2 - The Joshua Tree
1987
Sire Records
Best Song: "Where the Streets Have No Name"


I still get tingles up my spine upon hearing the intro to “Where the Streets Have No Name.” It is perhaps this song’s first ninety seconds, a foggy, elegiac organ that drifts at a dreamy, glacial pace, while the echoed pings of Edge’s guitar comes creeping in on tip-toes, careful to avoid a sudden shattering of the gorgeous haze, that rights me, setting the tone not only for one of the greatest albums in my memory, but reminding me of why U2 is one of the greatest bands in the world.

U2 has, of course and perhaps inevitably, reached a point in their collective careers in which they are probably more reviled than revered, having persevered long enough to lose fans due to attrition, fatigue, and overexposure. Rather than take the Beatles’ path of ten years and out, U2 instead went the way of the Stones, continuing to make music as long as they still felt that creative spark. U2 is finishing its 35th year together, and still going strong. Despite their detractors, bemoaning the addition of a free album in their iTunes, or perhaps feeling the omnipresent crush of Bono’s world media presence, U2 has left an indelible mark on rock and roll history, and for me the biggest crater the band punched into the rock landscape was 1987’s The Joshua Tree.

There are few people with exposure to popular music that are not familiar with at least one song from U2’s oeuvre, and I would venture to guess that for many that one song would be from The Joshua Tree. While the band had strong success before this fifth album in their progression, including a big hit a few years before with “Pride (In the Name of Love)” and the runaway FM radio success of War, it was The Joshua Tree that made the band a household name, in much the same way that today people discuss Adele, Coldplay, or Kanye. And, to put it into perspective, the U2 album has sold more than twice the amount of Adele’s latest album, with many now saying that she is a sales superstar, crossing all demographics.

There is enough information available on the Internet to research The Joshua Tree and to understand its place in rock history. This is not that kind of writing. Rather, this is the first in a series of my reflections of the records in my collection, randomly chosen, and merely soliciting personal reaction. The randomizer could not have done a better job in selecting a first LP. The Joshua Tree represents a band that means a lot to me personally. I’ve followed them faithfully (though admittedly, I was almost swept up by the negativity, and still haven’t fully gotten a hold, physically or emotionally, of No Line on the Horizon), and I have seen them multiple times.

U2 has been nothing if not consistent and innovative. They have always been inspirational, political, insightful, contemplative, and reverent to the art form and its practitioners. I was 15 when this album was released. Though other musical genres and styles were garnering my attention, including hip-hop and the continual powerhouses of what was then dubbed either “college” or “alternative” rock, The Joshua Tree rooted me (pun intended) in an earthy blend of blues, Americana, folk, and classic rock. The songs on the album traverse the varied distances between these styles, but become the many consistent spokes to the axels of the Edge’s inimitable guitars and Bono’s yearning vocals.


Think about the music that you listened to 30 years ago. How much of it holds up? I’d venture to guess that only a select handful of songs and artists could withstand that test. Maybe this is the fact that they made such a strong impression on me in my childhood. Maybe it’s the combination of style and substance. Maybe it’s the Anton Corbijn album cover, making the band look like dramatic leads in some post-Kurosawa, proto-Tarantino picture. Truthfully, it’s about a feeling that it gives me. After all, isn’t that what music is all about? Today, nearly 29 years later, dropping the needle on the first track of the first side, I still get those tingles up my spine.